Abstract

I aim to offer a sociological explanation of the creative process of comedic improvisation. I investigated three improvisation ensembles in midwest with the mixed methodology of participant and direct observation and ethnographic interviews. Sociologists define creativity from a structural, organizational and collective lens. Sociologist have studied improvisation but the majority of the focus is on jazz musicians; very little has been written on unscripted, live theatre. Within this study, I review the literature and provide qualitative data on the collective process of improvising using the theoretical background of Art World, Schools of Activity and Collaborative Circles.

Type of Work

Thesis - Limited Access

Department or Program

Sociology

Institution

Hamilton College

Degree

Bachelor of Arts

Date of Graduation

5-2020

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

Share

COinS