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Theses from 2019

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Representing Childbirth: Making and Unmaking Language to Communicate Experiences of the Body, Sabrina Boutselis '19

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Cloaking Desire: Stasis and Sexuality in Nikolai Gogol's Short Stories, Katie Dolan '19

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Christine de Pizan as Architect of Women’s Spaces in The Book of the City of Ladies, Allison Donlan '19

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Intentional Inheritance: William Faulkner and Gabriel García Márquez in Jeffrey Eugenides’ The Virgin Suicides, Elizabeth Maier '19

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Passing: The Performance and Visibility of Identity, Kendall Nichelle Rallins '19

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“Cut Out of Someone’s Head” Intersections of Humor, Manipulation, and Artistic Creation in Vladimir Nabokov’s Laughter in the Dark and Nikolai Gogol’s “The Portrait”, “The Nose”, and “The Overcoat”, Julia Rosenbaum '19

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Waving in the Ferns: Nature, Imagination, and Storytelling in Anne of Green Gables and Emily of New Moon, Haley Tietz '19

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"A Divided Duty:" Liminal Space and Coming-of-Age in Shakespeare's Father/Daughter Relationships, Alexa Zildjian '19

Theses from 2018

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Autotelia: Composing the Self Through Personal Critical Theory, Annie H. Berman '18

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Discoursing with an Octopus: Illness as a Theme in Marcel Proust's In Search of Lost Time and its Relation to Conceptions of Art and Transcendence, Tara Cicic '18

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Shamanism in an Inflexible Society: Slaughterhouse-Five and Briefing for a Descent Into Hell, Dana Holloway '18

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Valmont and the Allure of Virtue in Pierre Choderlos de Laclos’s Les Liaisons Dangereuses, Sarah Morrill '18

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Feminine Heroism in Scandinavian Variants of Aarne-Thompson Uther Tale Type 425A, Paula Weiman '18

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Approaching Traditions: the Ideological Ambivalence of Modern Intellectuals in 20th-century Ireland and China, Hou "Chloe" Xiaohan '18

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From the “Missing Narrative” to Becoming “Part of the Vernacular:” Representation, Language, and Identity Formation in “Korean American” Literature, Alan Yeh '18

Images from 2017

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U.S. Geography for Children, Matt Albino '19 and Jared Mandelbaum '18

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How Publishing Detrimentally Determines Dickinson's Poetry, Mali Barker '17

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Imogene's Antlers, Daniel Berrick '18, Stephen Clement '19, and Fiona Griffin '18

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Oceanography, Zach Blumenkehl '18, Alexa Rosella '18, and Emily Liu '19

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Wyoming, Luke Carstens '21

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Dark Prince, Shelby Amour Castillo '19 and David Dacres '18

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Crow Boy, Julia Dupuis '21

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Escape, Parker Esty '21

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Civilization Before Greece and Rome, Jess Halladay '18, Tripp Miller '18, and Nicole Lyons '18

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Humorous Poetry, Kyandreia Jones '19

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The Devil Finds Work, Kyandreia Jones '19

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Squids Will Be Squids, Meg Josephson '18, Anna Rich '18, and Natalie Burkardt '18

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Making a Monster, Amanda Kim '21

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Eating at Commons, Sabrina Kleckner '19, Jessie Dromsky-Reed '19, and Cassie Howard '18

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The History of Western Civilization, Nate Kremer '18 and Andrew Groll '19

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You Don't Need It. You Just Want It!, Madeleine Lepesant '19 and Michelle Guaman '18

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A Sociological Almanac for the United States, Claire Lincoln '20 and Alex Straus '18

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Slam, Emma Lynam '21

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The Dark Wood, Bianca Macdonald '21

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Creepy Cards: Henry and Mudge, Christopher Mailman '21

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Creepy Cards: The Greedy Grabber, Christopher Mailman '21

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Creepy Cards: Zack, Christopher Mailman '21

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Body. Found. Dead., Nicole Miller '21

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Washington's Revolution, Nicole Miller '21

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How to Draw Funny Faces, Claire Nicholson '20, Deirdre Schutzman '20, and Brian Lawson '20

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Civilization, Samuel Ntim-Addae '21

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Fraud, Waste, Life, Samuel Ntim-Addae '21

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Victims Unit, Samuel Ntim-Addae '21

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Spelling Test, Sarah Ostrow '18, Rachel Cooley '18, and Kate Gwydir '18

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Blue Mrs. Margery Cannon and Other Poems, Quentin Reynolds '21

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How to Deal with Monsters, Quentin Reynolds '21

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The Emperor, Gray, Quentin Reynolds '21

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The Invasion of the Soviet, Quentin Reynolds '21

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Fantasy of His Friends, Emily Rivito '21

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The Egg Tree, Reilly Shew '19, Dana Marrocco '19, and Chris Cuomo '18

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Richard, Haruna Shimizu '21

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Tobacco, Lauren Stoddart

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Effective Psychotherapy, Maura Torres '18 and Cilly Geranios '19

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It Wasn't What She Expected, Alina van den Berg '21

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Dusty and His Dogs, Alexander Walen '21

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The Brain, Max Zimmerman '21

Theses from 2015

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Constructed Intimacy: How Christian Devotional Poets Manage Audience, Emma Bowman '15

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“Eddying with the vowels of all rivers”: Language, Body, and Gender in Finnegans Wake, Hannah Chappell '15

Theses from 2014

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Color Theory in Tess of the D’Urbervilles: The Elicitation of Sympathy through a Verbal Palette, Abigail Saks '14

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“Gatherers of Flowers” and Introductions to “Greatness and Variety”: Anthologists' Roles in the Formation and Interpretation of the Canon, Grace Parker Zielinski '14

Theses from 2013

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“Thy Love to Empire I Prefer!” The Function of Romantic Love in Nahum Tate’s King Lear, Cooper Creagan '13

A&Q Presents: September 11, 2013, Naomi Guttman and Nick Geisler '14

A&Q Presents: November 13, 2013, Doran Larson and Emma Laperruque '14

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“Colours Intolerably Bright”: The Presence of the Past In Sean O’Faolain’s The Man Who Invented Sin and Frank O’Connor’s Crab Apple Jelly, Genevieve Davinia Nierman '13

A&Q Presents: December 11, 2013, Jane Springer and Kina Viola '14

Theses from 2012

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Jane Austen’s Censure of Mercenary Marriage: Who Crosses the Line and How Do We Know?, Laura Gilson '12

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Modernism and Cultural Economies: Neo-Marxian and Keynesian Anticipations in T.S. Eliot, Pat McNally '12

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Prison Writing and Beckett, Andrew Taub '12

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“Once Upon a Time in Victorian England: Translating the Brothers Grimm for a British Audience”, Chelsea Wiggins '12

Theses from 2011

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Avant-Garde Experimentation in Carlene Hatcher Polite’s The Flagellants, Kathy Acker’s Blood and Guts in High School, and Theresa Hak Kyung Cha’s Dictee: An Answer to the Theories of Julia Kristeva, Arielle Cutler '11

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Empowered Ladies and Gentlemen of Grass-Green Complexions: Feminist and Post-Colonial Close Readings of Margaret Cavendish’s The Blazing World, Caitlin C. Fitzsimons '11

Theses from 2008

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F. Scott Fitzgerald's Short Fiction and the Literary Values of the Jazz Age, Ali Fisher '08

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In Sickness and in Hell: a Study of Religious Fantasy and Satire in Good Omens and The Screwtape Letters, Whitney P. Kimmel '08

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Ceremonies and Song: Folklore in the Works of Silko and Morrison, Katherine Minton '08

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Performing the Polite Young Lady: Frances Burney and the Politics of the Manners Novels, Victoria Schacht '08

Theses from 2007

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Pitying a Pedophile?: The Ethical Implications of Sympathy and Moral Judgment in Nabokov's Lolita, Lindsay Anne Matin '07

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The Vonnegut Paradigm: Reading Alarm Systems in the Automated Worlds of Player Piano and The Sirens of Titan Or Goodbye Senior Thesis!, Ryan McGuirk '07

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The Meat of the Culture Industry: Determining the Value of Generic Literature, Laura Oman '07

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An Investigation of Gender Relations within the Black Panther Party Through Autobiography: What Are the Men Hiding? What Are the Women Revealing?, Rebecca Wagner '07 and Hannah Winer '07

Theses from 2006

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Self-Reflective Readers & Self-Reflexive Writers: The Logistics of Metafiction, Christopher T. Fazio '06

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The Making of Charlotte Smith: Romantic Artist, Successful Businesswoman, Katrina Fredlund '06

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Beyond the Controversy: Adventures of Huckleberry Finn as a Multicultural Text, Ellen Horbett '06

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Dissolving Boundaries: Connecting Nature and Society in The God of Small Things, Anne Schlesinger '06

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Women, War, and the Artist: The Destruction of Masculinity in the Works of F. Scott Fitzgerald, Laura Stern '06

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The Construction of a Woman's Language in Virginia Woolf's To the Lighthouse and Toni Morrison's Beloved, Jessica Wolinsky '06

Theses from 2005

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Coming of Age of the Little Friend of All the World: A Critical Examination of Identity In Rudyard Kipling's Kim, Katherine Caldwell '05

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The Warrior Within: The Anglo-Saxon Phoenix in Cultural Context, Ana Maria Comparetto 2005

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Paranoia and Probability in Gravity's Rainbow, Jake Hartnett '05

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"A Terrible Beauty:" The Representation of Political Violence in the Poetry of W.B. Yeats, Katie Ladd '05

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A Coalescing of Forces: The Expressive Capacity of the New Journalism and Genre Hybridism, Michelle Marjory Levi '05

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Surviving the Language Game: Language and Survival in Don Delillo's End Zone, Cyrus Philbrick '05

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Rediscovering Ethnic Identity: Irish-American Literature in the 1990's, Molly Wilson '05

Theses from 2004

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Keith Douglas: A New Poetic Response to War, Louis Bosso '04

Theses from 2003

The West is the Best?: The Revision and Criticism of Frontier Mythology in Cormac McCarthy'd Blood Meridian and E.L. Doctorow's Welcome to Hard Times, Schuyler Chapman '03

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Creating a New Identity in Contemporary Drama: Redefining History and Culture, Monica do Outeiro '03

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Mallrats' Shakespeare: O and William Shakespeare's Romeo + Juliet, Rebecca Fabricant '03

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The Contrived Honest Liar: Narrative Unreliability in The Yellow Wallpaper and The Turn of the Screw, Allison Courtney Fitch '03

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Unearthing The Real Hemingway: Polyphonic Gender Expression in The Sun Also Rises, Schuyler Gellatly '03

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Decadent New Women and the Philosophy of Schopenhauer, Cory Lown '03

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Disobedient Women: Representations of Gender in Cycle Drama, Alisa Nichols '03